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The Synth-Pop Duo's Musical Force Dave Ball Dies, Aged 66

Dave Ball and Marc Almond of Soft Cell
Dave Ball (on the left) established Soft Cell alongside Marc Almond at Leeds in 1977

Dave Ball, one half of the pioneering 1980s synth-pop duo Soft Cell, has died at the age of 66.

Alongside singer Marc Almond, the team achieved a worldwide hit with their cover of Gloria Jones' the classic track Tainted Love in the mid-80s, and their debut album Non-Stop Erotic Cabaret is regarded as a classic of synth-pop.

He subsequently formed the pioneering techno group The Grid, who secured chart success with their 1994 single the hit Swamp Thing.

Ball passed away peacefully in his rest at his home in London on October 22, only a short time after playing a featured performance with Soft Cell at the Rewind Festival in the Thames-side town.

Recent Health Challenges

During that show, Ball appeared in a mobility chair, as he had for the previous couple of years, following a spate of ill-health.

"I ended up damage myself significantly," he stated in a recent interview. "I broke spinal bones in my spine and fractured about five ribs and fractured my wrist."

Following contracting a lung infection and developing blood poisoning, he was put in an induced coma and remained in the hospital for half a year.

Nevertheless, he had been in "high spirits mentally" over the warmer months, as he was developing a fresh record with Almond, called Danceteria, which is scheduled for release next year.

"He was focused and so happy with the new album that we literally finished only a few days ago," stated the singer in a tribute.
"It's truly heartbreaking as 2026 was all set to be such an uplifting time for him, and I find comfort from the fact that he heard the finished record and felt that it was a great piece of work."
Soft Cell performing in the early 1980s
The band were at the vanguard of the synth-pop movement in the beginning of the decade

Heartfelt Messages

Almond referred to his bandmate as "an exceptionally talented musical genius", adding: "He was the core essence of Soft Cell and I'm extremely pleased of our legacy.

"Thank you Dave for being an immense part of my life and for the songs you created with me. I wouldn't be where I am without you."

Richard Norris from The Grid, also paid tribute, remembering Ball's "endless laughter" and "unwavering friendship".

"Being in a duo with someone is distinct from being in a band, the bond is very tight," he continued.
"That's how it was with us. We experienced so many remarkable, incredible, memorable experiences as a team. Many thanks, Dave."
Dave Ball in 2018
Dave Ball, pictured at a radio station in recent years

Early Life

Brought into the world into a one-parent family in the city of Chester in the late 50s, Ball was given up for adoption when he was 18 months old.

He was raised in the seaside town with his new family Donald and Brenda Ball, who altered his given name from his birth name to his adopted name, together with his younger sister Susan, who was similarly welcomed.

He met Almond at an art college in the late 70s, where they were both studying art. Fuelled by a shared love of a music genre, they formed Soft Cell the very year, and promptly recorded an EP.

Musical Partnership

The duo were an unusual combination: Ball was the reserved technician, bent over his keyboard, while Almond was a flamboyant performer, all sparkle and eye-liner; but they attained a rare musical alchemy.

Ball had developed a fascination with synthesizers after viewing the band Kraftwerk appear on BBC program Tomorrow's World, and began to combine moody electronic sounds to the soaring melodies Almond was writing.

Tainted Love became the United Kingdom's second most popular song of 1981, selling millions of units worldwide. Alongside successful tracks by Gary Numan, Human League and Ultravox, it helped cleared the way for the electronic music style of the 1980s.

The track was also included on their first album, Non-Stop Erotic Cabaret, which produced two further top five hits: Bedsitter and Say Hello, Wave Goodbye.

They followed the album up with the separate release, Torch, which reached at the second position in the following year.

Soft Cell in the studio
The duo were working on fresh songs right up until Ball's passing

Career Highlights

Success had its upsides. "I loved being able to afford my first home, having money and travelling, which makes me sound like a beauty queen," Ball not long ago told with a music magazine.

But it also caused problems. "Sudden riches allowed we could afford substances to alleviate the boredom" of media interviews and TV performances, Ball explained.

"I realize that's a common saying, but it's a cliché for a valid cause, because it works for so many bands."

During the party-filled existence, the duo were also drifting apart, but they managed to produce a follow-up classic album - the wayward, tense and aptly-titled The Art Of Falling Apart.

They released another LP, 1984's This Last Night In Sodom, before dissolving the band to concentrate on other projects.

Almond proceeded to have a successful solo career, including the chart-topping single Something's Got A Hold Of My Heart; while Ball formed The Grid, who combined acid house with ambient pop over a long-lasting collaboration.

Reunions and Final Projects

Soft Cell came back together in the early 2000s, releasing the charting record Cruelty Without Beauty.

After another hiatus, they reappeared in 2018, issuing the new tracks Northern Lights and Guilty (Cos I Say You Are) before staging what was intended to be a final performance at the O2 Arena on September 30, that year.

However, they stayed together, creating their latest project, Happiness Not Included, during the pandemic Covid lockdown.

Ball lately characterized the duo's upcoming release as a tribute to the NYC nightlife they frequented while making their first two albums.

He added that his time in medical care had shaped the band's sound.

"I experienced unusual memories when I was coming and going of hospital because I was on morphine," he explained to a music magazine.
"Our latest tracks are a digital reflection of the sounds in my head from those days.
"Simultaneously, it's about the times me and Marc had in the 1980s."

The final mixes were completed only days before Ball passed away. It is due for release in the spring of 2026.

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